![]() Matthau’s warm performance gives the film life, while Douglas effectively becomes the voice of nostalgia speaking out against the dangers of the encroaching jet age and the loss of humanity to the technocrat. The heavy-handed ending has the escapee, who eluded the police, run down on the highway during a rainy night by an eighteen wheeler carrying bathroom fixtures (the truck was driven by a concerned Carroll O’Conner). It’s a highly symbolic film making the Douglas character a martyr for the cause. ![]() Sheriff Morey Johnson (Walter Matthau) is in charge of bringing in the fugitive, and during the course of the chase the wry humored sheriff comes to sympathize with the last of the cowboys. The cowboy on his horse Whiskey takes to the foothills in the hopes of crossing over to Mexico. So Burns escapes by himself, after receiving a beating from bully Deputy Sheriff Gutierrez (George Kennedy), and first goes to tell Paul’s wife Jerri (Gena Rowlands) that her man loves her and will return when his time is up. Bondi refuses to escape, claiming to be a changed man who loves his wife and child. Lathrop and Jerry Goldsmith scores the music in what was his first major studio work. It stars Kirk Douglas, Gena Rowlands, Walter Matthau & George Kennedy. ![]() It ends up a contest between an escaped felon cowboy, Jack Burns (Kirk Douglas), pursued by a sheriff, Morey Johnson (Walter Matthau), using jeeps and a helicopter.īurns lands in jail over a drunken bar fight in order to free his close friend Paul Bondi, serving a two year sentence for helping illegal Mexicans cross the border to find work in the States. Lonely Are The Brave is directed by David Miller and adapted for the screen by Dalton Trumbo from the novel 'The Brave Cowboy' written by Edward Abbey. It waxes poetic about the vanishing frontier and a way of life doomed by progress and technology. Kirk’s personal favorite film is a gripping modern western set in the 1950s in New Mexico. Writer Dalton Trumbo bases it on the novel “The Brave Cowboy” by Edward Abbey. The black-and-white film elegantly directed by David Miller (“Midnight Lace”) and photographed by Philip H. One of only a few Kirk Douglas films where the hammy actor didn’t want to make me gag. “One of only a few Kirk Douglas films where the hammy actor didn’t want to make me gag.” “Jack” Burns), Gena Rowlands (Jerri Bondi), Walter Matthau (Sheriff Morey Johnson), Michael Kane (Paul Bondi), Carroll O’Connor (truck driver), William Schallert (radio operator), George Kennedy (Deputy Sheriff Gutierrez) Runtime: 107 MPAA Rating: NR producer: Edward Lewis Universal 1962) Lathrop editor: Leon Barsha music: Jerry Goldsmith cast: Kirk Douglas (John W. Very much a band of their time, Lonely the Brave will doubtless be huge in a year or two anyway, and this provides a credible, if slightly wet, statement of intent.(director: David Miller screenwriters: Dalton Trumbo/from the novel “The Brave Cowboy” by Edward Abbey cinematographer: Philip H. ![]() Unfortunately, much of The Day's War relies too heavily on overly familiar chord sequences and featherweight angst, and it swiftly becomes hard not to yearn for a dash of the Biffy boys' brutish angularity to toughen things up a bit. At their best, they nail this tricky balancing act with the skill of shrewd veterans: both Trick of the Light and The Blue, the Green have huge, fists-in-the-air choruses, and only the hardest of hearts could resist the brittle emoting of Victory Line or the elegant sentiment and sombre gait of Dinosaurs. Much like their most obvious forebears Biffy Clyro, this Cambridge quartet specialise in anthems designed to fill arenas, but with a very pointed caveat that what they do remains several proud steps away from well-worn mainstream rock tropes. E merging from the dewy-eyed haze found between the shimmering guitars of shoegaze and the winsome bluster of post-hardcore, Lonely the Brave sound very much like a band with both integrity and success high on the agenda. ![]()
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